Classics

Das Mädchen mit der Hutschachtel (1927)
Boris Barnet
Russia
93′
Can you find happiness in the big city? The young hat maker Natascha, who lives with her grandfather in a suburb covered in winter snow, has to commute by train from the village to Moscow to deliver her creations to the extravagant Irene's hat shop. For the administration, Irene claims Natascha to be her subtenant in order to be able to have more living space. The clumsy railway official woos the lovely country girl with his ravishing smile. But she enters into a fictitious marriage with the provincial Ilya in order to get him a room in Moscow. With an apparently worthless lottery ticket, which Irene's husband gives to Natascha, the entanglements become turbulent. Boris Barnet describes the contrasts between city and country and the new living conditions in Moscow in a stylish and socially critical way. Three great acting talents, Anna Stén, Iwan Kowal-Samborski and Vladimir Fogel, form the triangle of relationships. Originally ordered as a vehicle to advertise the State Lottery, the film made the studio rich and the natural talent director Boris Barnet famous as the founder of lyrical comedy.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Die seltsamen Abenteuer des Mr. West im Land der Bolschewiken (1924)
Lew Kuleschow
Russia
77′
Travelled to the Soviet Union with many prejudices, the American businessman Mr. West has to correct his view of the Soviets after several adventures at the end of his journey. Silent movie grotesque that ironically glosses the erroneous opinions of the West about the USSR. A film historical document worth seeing. (Dictionary of International Cinema)
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Harvest - 3000 Years (1976)
Haile Gerima
Ethiopia
132′
Director Haile Gerima’s first feature work to be set in Africa employs visions of his native Ethiopia to construct a post-colonial allegory of class exploitation. Filmed in the tumultuous days following the overthrow of Haile Selassie, the portrait of an abject peasant family toiling under the scornful eye of a wealthy landowner exhibits the spontaneity of a documentary. But it also displays the assuredness and authority of a master storyteller in the sweep of its conceptual rigor and moral stand. We are exposed to several characters, as it were, without introduction. They are members of a poor family that rise and begin tending cattle and plowing fields. Their feudal lord, a Western-attired tyrant, barks orders and criticism from a seat on his shaded front porch. Another figure, meagerly dressed, calls out insults to the landowner. These almost archetypal figures take on more specific identities as we learn that the seeming madman once owned property now expropriated and held by the landowner, and that although the peasant family may toil dutifully, its members seethe with memories and visions of another way of life. In time, a critique of modern Ethiopia (and by implication, neocolonial Africa) emerges that criticizes coming political reconfigurations as just the latest way in which others may now exploit the land and the poor. Gerima unfolds several loosely connected episodes (indeed, the "action" of the film often seems trained on an ever-more subtle understanding of certain facts of daily life, rather than on a plot), but the film also employs freewheeling shifts in register, such that political speeches in public spaces contrast with exclamatory addresses to the camera, and verbal abuse of workers alternates with fairly Buñuelian images of human beings being driven by a whip, with no qualification of the "reality" of any situation, all to the accompaniment of an evocative musical soundscape. When the "plot" finally offers its fulfillment, the effect is devastating. In this early work, Gerima strove for something more than an individual story, achieving a bracing polemic and an impassioned narrative of bleak and haunting beauty. Shannon Kelley, ucla
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Le serviteur de Kali (2002)
Adoor Gopalakrishnan
India
88′
Kaliyappan is the executioner of the Maharajah of Travancore. He lives on the edge of a small village in the magnificent countryside of Kerala. For generations his family has lived on the benefits granted to the Maharajah after every execution. But these are becoming increasingly rare, and Kaliyappan's family lives in misery. Paradoxically, the old executioner, tired of fulfilling a mission that had become a curse, has also become a healer. Adoor Gopalakrishnan is one of the central figures in Indian cinema and one of the outstanding filmmakers from Kerala, whose film culture he and Shaji Karun have a major influence on. His film "Le serviteur de Kali" is a fable based on real facts. The first shot shows an old executioner looking at his hands. He feels guilty about the last execution and is afraid of the next one. When he again receives the order to execute the sentence, Kaliyappan feels miserable, staggers around and drinks to forget his remorse and misery. As if the alcohol could lift the responsibility and replace the executioner. The son will execute the sentence, the curse threatening the family cannot be averted. In the end, the shadows of the procession are the dark shadows of an endless succession of mourning, unless they are the shadows of the cave. A hidden pearl of cinema.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
The Coat (1926)
Grigori Kosinzew Leonid Trauberg
Russia
80′
A minor clerk, Bashmachkin, replaces his threadbare overcoat with one made from the finest materials he can afford. Then one evening ruffians beat him up and steal his cherished new garment. The actors’ highly stylized gestures border on modern dance, and Bashmachkin’s world, especially as he begins to lose his grasp on reality, is powerfully rendered with looming shadows, oblique camera angles and eccentric architecture.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.ch or by phone at +41 56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.

filmingo offers a curated selection of arthouse films for streaming by subscription or individual rental. Run by the Swiss foundation trigon-film.

Support
+41 56 430 12 30
support@filmingo.ch
Mo-Fr from 9am to 5pm
Stay connected